Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
Din interiorul cărții
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Pagina 6
... writing both plays and lyric poems ? Why did playwrights include lyrical poetry in their narrative dramas ? And what was the network of relationships between such lyric poetry and its social con- texts ? In addressing these sweeping ...
... writing both plays and lyric poems ? Why did playwrights include lyrical poetry in their narrative dramas ? And what was the network of relationships between such lyric poetry and its social con- texts ? In addressing these sweeping ...
Pagina 14
... writing transferred her perceived unworthiness or weakness to the male poet . More often , stereotypically " feminine " adjectives are used to bury art , " masculine " ones to praise it . Just a few examples suffice to capture the tone ...
... writing transferred her perceived unworthiness or weakness to the male poet . More often , stereotypically " feminine " adjectives are used to bury art , " masculine " ones to praise it . Just a few examples suffice to capture the tone ...
Pagina 18
... writers and readers . " Lewis's plural subject is of course male , and female figures range from the poet's self- created " celestial mistress " to a " hussy , a strumpet " ( by implication , more like the " actual " women one meets ) ...
... writers and readers . " Lewis's plural subject is of course male , and female figures range from the poet's self- created " celestial mistress " to a " hussy , a strumpet " ( by implication , more like the " actual " women one meets ) ...
Pagina 25
... writing , can too easily disappear in discussions of social context . The resulting lacuna not only discounts much of what art tries to do but also abandons the subtler social commentary played out through sound and dramatic placement ...
... writing , can too easily disappear in discussions of social context . The resulting lacuna not only discounts much of what art tries to do but also abandons the subtler social commentary played out through sound and dramatic placement ...
Pagina 28
... writing . McCoy speculates about Gascoigne's debased " self - esteem " and his " sense of di- minished virility " ( 50 ) . Blaming the highly visible sovereign works well rhetorically , and allows empathy with the underdog at court ...
... writing . McCoy speculates about Gascoigne's debased " self - esteem " and his " sense of di- minished virility " ( 50 ) . Blaming the highly visible sovereign works well rhetorically , and allows empathy with the underdog at court ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |