Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
Din interiorul cărții
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Pagina 5
... tion of marriage as a happy ending , a means of formal closure so famil- iar from Shakespeare's comedies and most subsequent western bourgeois romance , will of course be foiled in Romeo and Juliet by social corruption and violence , to ...
... tion of marriage as a happy ending , a means of formal closure so famil- iar from Shakespeare's comedies and most subsequent western bourgeois romance , will of course be foiled in Romeo and Juliet by social corruption and violence , to ...
Pagina 8
... tion for the male imagination " ( " Heraldry " 209 ) , at the court of Elizabeth much was also written directly for her as female audience and judge . The lyric convention of addressing one's beloved , an implied audience some- times ...
... tion for the male imagination " ( " Heraldry " 209 ) , at the court of Elizabeth much was also written directly for her as female audience and judge . The lyric convention of addressing one's beloved , an implied audience some- times ...
Pagina 9
... consciously , regarding the very concept of the subject as bound inextricably with " Eurocentric , " " phallocentric " thought ) . One result of this assump- tion , observable in several new historicist studies of early Introduction 9.
... consciously , regarding the very concept of the subject as bound inextricably with " Eurocentric , " " phallocentric " thought ) . One result of this assump- tion , observable in several new historicist studies of early Introduction 9.
Pagina 10
Elizabethan Lyric, Gender, and Performance Diana E. Henderson. tion , observable in several new historicist studies of early modern England , has been to focus scholarly attention on the rebellious ( male ) courtier's re- sistance to the ...
Elizabethan Lyric, Gender, and Performance Diana E. Henderson. tion , observable in several new historicist studies of early modern England , has been to focus scholarly attention on the rebellious ( male ) courtier's re- sistance to the ...
Pagina 13
... tion of stereotype and exception , and of politics and poetry . Catherine Gal- lagher , discussing the historical development of the concept of the female subject , remarks that " It is an odd but indisputable fact that the seventeenth ...
... tion of stereotype and exception , and of politics and poetry . Catherine Gal- lagher , discussing the historical development of the concept of the female subject , remarks that " It is an odd but indisputable fact that the seventeenth ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |