Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 2
... style itself is either inflexible or the object of mockery . Petrarchism , the style derived from the sonnets addressed to Laura in the Rime Sparse , dominated western European lyrical practice during the six- teenth century ...
... style itself is either inflexible or the object of mockery . Petrarchism , the style derived from the sonnets addressed to Laura in the Rime Sparse , dominated western European lyrical practice during the six- teenth century ...
Pagina 14
... style while Coleridge praised Shakespeare's " will " and " force " ( Holmes et al . 202 , 222 ) . In one of the more amusing passages from his lectures on Shakespeare , as summa- rized by his student Collier , Coleridge seems to become ...
... style while Coleridge praised Shakespeare's " will " and " force " ( Holmes et al . 202 , 222 ) . In one of the more amusing passages from his lectures on Shakespeare , as summa- rized by his student Collier , Coleridge seems to become ...
Pagina 15
... style in love , " Winters regards the object of " unaffected " aspersion in Sir Thomas Wyatt's " Blame not my lute ... styles and forms , like " lady scribblers " them- selves , historically have been spurned — the former even or ...
... style in love , " Winters regards the object of " unaffected " aspersion in Sir Thomas Wyatt's " Blame not my lute ... styles and forms , like " lady scribblers " them- selves , historically have been spurned — the former even or ...
Pagina 16
... thee , " wrote Ben Jonson in his Timbre , or Discoveries ( Herford and Simpson 625 ) . In the comedies of Jonson and his contemporaries , verbal style often revealed character in an obvious , exaggerated way 16 Passion Made Public.
... thee , " wrote Ben Jonson in his Timbre , or Discoveries ( Herford and Simpson 625 ) . In the comedies of Jonson and his contemporaries , verbal style often revealed character in an obvious , exaggerated way 16 Passion Made Public.
Pagina 17
Elizabethan Lyric, Gender, and Performance Diana E. Henderson. style often revealed character in an obvious , exaggerated way . Petrarchan " poetasting , " the use of this fashionable mode of discourse by would - be courtiers , was a ...
Elizabethan Lyric, Gender, and Performance Diana E. Henderson. style often revealed character in an obvious , exaggerated way . Petrarchan " poetasting , " the use of this fashionable mode of discourse by would - be courtiers , was a ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |