Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Rezultatele 1 - 5 din 52
Pagina 17
... speakers on sight.15 Yet as Ben Jonson himself dramatized , what we " see " through speech is more often a shadowy refraction than a transparent reflection of a charac- ter's intention , personality , or significance . Love poetry that ...
... speakers on sight.15 Yet as Ben Jonson himself dramatized , what we " see " through speech is more often a shadowy refraction than a transparent reflection of a charac- ter's intention , personality , or significance . Love poetry that ...
Pagina 22
... speaker ; lyric poetry is about language , a self - referential and enclosed world ; it attempts to slow down the experience of time ; it derives from and tries to approximate music ; lyrics are the words of a song ; a lyric is love ...
... speaker ; lyric poetry is about language , a self - referential and enclosed world ; it attempts to slow down the experience of time ; it derives from and tries to approximate music ; lyrics are the words of a song ; a lyric is love ...
Pagina 25
... speakers as skeptical of Petrarchist discourse , even as he removes that discourse from the pub- lic domain of efficacious political exchange . A fascinating and consistent correspondence emerges between the formal functions of love ...
... speakers as skeptical of Petrarchist discourse , even as he removes that discourse from the pub- lic domain of efficacious political exchange . A fascinating and consistent correspondence emerges between the formal functions of love ...
Pagina 29
... speakers such as Romeo and Juliet ( 108 ) ; similarly , see Hardison . 15. Though Bethell recognizes that theater's " multi - consciousness " in part de- rives from movement between " naturalism " and " conventionalism , " he proceeds ...
... speakers such as Romeo and Juliet ( 108 ) ; similarly , see Hardison . 15. Though Bethell recognizes that theater's " multi - consciousness " in part de- rives from movement between " naturalism " and " conventionalism , " he proceeds ...
Pagina 31
... speaker to capture the frustrations of a queen's sup- pressed desire ( see my forthcoming article " Female Power and the Devaluation of Elizabethan Love Lyrics " ) . She drew on the same rhetoric when her political posi- tion and ...
... speaker to capture the frustrations of a queen's sup- pressed desire ( see my forthcoming article " Female Power and the Devaluation of Elizabethan Love Lyrics " ) . She drew on the same rhetoric when her political posi- tion and ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |