Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 5 din 74
Pagina 5
... social structure of marriage . The idealiza- tion of marriage as a happy ending , a means of formal closure so famil- iar from Shakespeare's comedies and most subsequent western bourgeois romance , will of course be foiled in Romeo and ...
... social structure of marriage . The idealiza- tion of marriage as a happy ending , a means of formal closure so famil- iar from Shakespeare's comedies and most subsequent western bourgeois romance , will of course be foiled in Romeo and ...
Pagina 6
... social commentary dramatized on the Elizabethan stage . Kenneth Muir boldly asserts that this “ greatest period of the lyric co- incided with the finest period of drama , ” and that “ in no other period of our literature have so many ...
... social commentary dramatized on the Elizabethan stage . Kenneth Muir boldly asserts that this “ greatest period of the lyric co- incided with the finest period of drama , ” and that “ in no other period of our literature have so many ...
Pagina 8
... social context . While it is true , as Nancy Vickers observes , that much erotic praise is " the product of men talking to men about women , " " a legacy shaped predominantly by the male imagina- tion for the male imagination ...
... social context . While it is true , as Nancy Vickers observes , that much erotic praise is " the product of men talking to men about women , " " a legacy shaped predominantly by the male imagina- tion for the male imagination ...
Pagina 10
... social power , in its analysis of the relationships between the visual object of the gaze and the viewer as subject ( as explored in chapters 2 and 3 ) . Similarly , feminist poetic analysis investigates how authors employ lit- erary ...
... social power , in its analysis of the relationships between the visual object of the gaze and the viewer as subject ( as explored in chapters 2 and 3 ) . Similarly , feminist poetic analysis investigates how authors employ lit- erary ...
Pagina 13
... social hierarchies that makes the image of Gascoigne kneeling before Elizabeth something besides a man below a woman ) , nor does one thereby excuse or legitimate repression because the royal torturer happens to be female . Those who ...
... social hierarchies that makes the image of Gascoigne kneeling before Elizabeth something besides a man below a woman ) , nor does one thereby excuse or legitimate repression because the royal torturer happens to be female . Those who ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |