Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
Din interiorul cărții
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Pagina 7
... sense of it . A central category in this book is gender , the cultural roles and associations accompanying the presumed biological difference of sex . When discussing lyricism predominantly in the Petrarchan , courtly love tradition ...
... sense of it . A central category in this book is gender , the cultural roles and associations accompanying the presumed biological difference of sex . When discussing lyricism predominantly in the Petrarchan , courtly love tradition ...
Pagina 11
... sense they are not the only " author . " Lyrical dramas " produced " by male poets , then , re- veal both the possibilities and the limits inherent in their perspective , even as regards their own works in performance . Passion Made ...
... sense they are not the only " author . " Lyrical dramas " produced " by male poets , then , re- veal both the possibilities and the limits inherent in their perspective , even as regards their own works in performance . Passion Made ...
Pagina 13
... sense le roi , c'est moi ; some men certainly worried about it . Viewing the sovereign as a static symbol of repression alone , and the court by extension as a place of untempered , bad - faith grov- eling and cringing , effectively and ...
... sense le roi , c'est moi ; some men certainly worried about it . Viewing the sovereign as a static symbol of repression alone , and the court by extension as a place of untempered , bad - faith grov- eling and cringing , effectively and ...
Pagina 16
... sense ) " artificial " situation regarding gender and power in Petrarchism , an inversion of " mastery . " 14 The same legacy of discounting courtly love lyricism for its effeminacy permeates drama and its criticism . Coleridge tried to ...
... sense ) " artificial " situation regarding gender and power in Petrarchism , an inversion of " mastery . " 14 The same legacy of discounting courtly love lyricism for its effeminacy permeates drama and its criticism . Coleridge tried to ...
Pagina 23
... sense of being either melliflu- ous or capable of musical setting.25 If not self - contained poems inserted within larger poetic frameworks , the passages are recognizable as lyrical " set pieces " : they include refrains and stylistic ...
... sense of being either melliflu- ous or capable of musical setting.25 If not self - contained poems inserted within larger poetic frameworks , the passages are recognizable as lyrical " set pieces " : they include refrains and stylistic ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |