Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 7
... position as sovereign ( an idea she promoted linguistically by blur- ring her own gender identity and stressing her exceptional role ) . The popu- lar accounts of Tudor history resound with this truism ; as Lady Antonia Fraser concludes ...
... position as sovereign ( an idea she promoted linguistically by blur- ring her own gender identity and stressing her exceptional role ) . The popu- lar accounts of Tudor history resound with this truism ; as Lady Antonia Fraser concludes ...
Pagina 8
... position as an unmarried woman and the artworks by men struggling to address and place her in relationship to men . It is the specific interplay of lyrical performance with this gendered encounter that encourages a fresh regard for the ...
... position as an unmarried woman and the artworks by men struggling to address and place her in relationship to men . It is the specific interplay of lyrical performance with this gendered encounter that encourages a fresh regard for the ...
Pagina 10
... position . ' Prominent new historicists have now begun to address the possible reductiveness in their methods , as ... positions in dramatic performance , and help to demonstrate how Elizabethan lyrical drama sometimes inno- vatively ...
... position . ' Prominent new historicists have now begun to address the possible reductiveness in their methods , as ... positions in dramatic performance , and help to demonstrate how Elizabethan lyrical drama sometimes inno- vatively ...
Pagina 13
... position of some honor - becomes a psychodrama in which he " confronts his Queen , as F.J. does his mistress , armed with pen and sword " ; " by dis- playing tokens of poetic and martial potency he sought [ sic ] to forestall threats of ...
... position of some honor - becomes a psychodrama in which he " confronts his Queen , as F.J. does his mistress , armed with pen and sword " ; " by dis- playing tokens of poetic and martial potency he sought [ sic ] to forestall threats of ...
Pagina 19
... position than the earlier tradition of masculinist criticism , but it sometimes carries similarly dismissive consequences for the poetry . The blazon , after all , is but one important feature of Petrarch's influential lyric practice ...
... position than the earlier tradition of masculinist criticism , but it sometimes carries similarly dismissive consequences for the poetry . The blazon , after all , is but one important feature of Petrarch's influential lyric practice ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |