Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 1
... obviously the choral prologues to acts 1 and 2 , but also several formal set- speeches within the narrative ) is its bantering dialogue after the ritualized octet , capped by the shared split - line finale to a protracted quatrain ...
... obviously the choral prologues to acts 1 and 2 , but also several formal set- speeches within the narrative ) is its bantering dialogue after the ritualized octet , capped by the shared split - line finale to a protracted quatrain ...
Pagina 3
... obviously , and in- spire the smiles that aptly accompany attention to the lyrics of many an ephemeral pop song ; but others draw us into richer considerations of minds and cultures , of generic functions and gendered societies . Like ...
... obviously , and in- spire the smiles that aptly accompany attention to the lyrics of many an ephemeral pop song ; but others draw us into richer considerations of minds and cultures , of generic functions and gendered societies . Like ...
Pagina 8
... obviously does not erase the playwright's own investment and mark in the collabora- tive cultural production , but surely complicates our reading of poetic voice and agency . Thus when we look at court pageants and particular plays by ...
... obviously does not erase the playwright's own investment and mark in the collabora- tive cultural production , but surely complicates our reading of poetic voice and agency . Thus when we look at court pageants and particular plays by ...
Pagina 15
... obviously sur- vives , rewritten as praiseworthy by theorists of l'écriture féminine but also persisting as a source of male fear and female victimization . Nor have " sen- timental " and " strong " become gender - free terms in our ...
... obviously sur- vives , rewritten as praiseworthy by theorists of l'écriture féminine but also persisting as a source of male fear and female victimization . Nor have " sen- timental " and " strong " become gender - free terms in our ...
Pagina 18
... Obviously discrepancies existed in Elizabethan culture between fantasy and experience , and in a broader historical context feminist critics such as Theweleit and Vickers have vividly stressed the potential for degradation of actual ...
... Obviously discrepancies existed in Elizabethan culture between fantasy and experience , and in a broader historical context feminist critics such as Theweleit and Vickers have vividly stressed the potential for degradation of actual ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |