Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 1
... move , though grant for prayers ' sake . Romeo Then move not while my prayer's effect I take . Thus from my lips , by thine , my sin is purged . [ Kissing her . ] Juliet Then have my lips the sin that they have took . Romeo Sin from my ...
... move , though grant for prayers ' sake . Romeo Then move not while my prayer's effect I take . Thus from my lips , by thine , my sin is purged . [ Kissing her . ] Juliet Then have my lips the sin that they have took . Romeo Sin from my ...
Pagina 2
... move- ment as a whole " ( Preminger 613 ) . Dismissals based on the mere presence of Petrarchism persist in twentieth - century dramatic criticism as well , even among those who recognize the complexity of staged poetry ; S. L. Bethell ...
... move- ment as a whole " ( Preminger 613 ) . Dismissals based on the mere presence of Petrarchism persist in twentieth - century dramatic criticism as well , even among those who recognize the complexity of staged poetry ; S. L. Bethell ...
Pagina 3
... move quickly to delight in the wit and parrying , not caring for this scene's literary antecedents or its complex messages in context . Nevertheless , if we attend to that potential for distrust a moment longer , we confront an attitude ...
... move quickly to delight in the wit and parrying , not caring for this scene's literary antecedents or its complex messages in context . Nevertheless , if we attend to that potential for distrust a moment longer , we confront an attitude ...
Pagina 10
... move us beyond a single political model for situating the sovereign and the subject repre- senting her , and for evaluating the significance of that representation . As a woman denied full subjectivity but as a sovereign its source for ...
... move us beyond a single political model for situating the sovereign and the subject repre- senting her , and for evaluating the significance of that representation . As a woman denied full subjectivity but as a sovereign its source for ...
Pagina 32
... move , evident in most studies of Mar- lowe's Dido as well as more broadly influential studies of Shakespeare such as James Calderwood's ; see my chaps . 3 and 4. On the play of voices in Tudor writing , essential to the delight in ...
... move , evident in most studies of Mar- lowe's Dido as well as more broadly influential studies of Shakespeare such as James Calderwood's ; see my chaps . 3 and 4. On the play of voices in Tudor writing , essential to the delight in ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |