Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 2
... lines . To recognize Romeo's amatory shiftiness does not automatically signify , however , that the style itself is either inflexible or the object of mockery . Petrarchism , the style derived from the sonnets addressed to Laura in the ...
... lines . To recognize Romeo's amatory shiftiness does not automatically signify , however , that the style itself is either inflexible or the object of mockery . Petrarchism , the style derived from the sonnets addressed to Laura in the ...
Pagina 3
... lines of inquiry applicable to the study of all lyrical drama : what is the significance of the gender positioning within this representation ? what are the associations between gender and lyric poetry that influence our criticism of ...
... lines of inquiry applicable to the study of all lyrical drama : what is the significance of the gender positioning within this representation ? what are the associations between gender and lyric poetry that influence our criticism of ...
Pagina 4
... lines of blank verse and some unmemorable couplets in anger at Romeo's intrusion ) and Capulet ( whose comically choppy blank verse dominates the exchange ) . In contrast , the lovers ' interplay of rhymes and Neoplatonic conceits makes ...
... lines of blank verse and some unmemorable couplets in anger at Romeo's intrusion ) and Capulet ( whose comically choppy blank verse dominates the exchange ) . In contrast , the lovers ' interplay of rhymes and Neoplatonic conceits makes ...
Pagina 12
... lines to symbolize his ultimate humiliation : “ he remains there , fawning below the Queen's powerful mace and yearning for the security of weakness . Courtly success had its rewards , but the costs to Gascoigne's self - esteem and art ...
... lines to symbolize his ultimate humiliation : “ he remains there , fawning below the Queen's powerful mace and yearning for the security of weakness . Courtly success had its rewards , but the costs to Gascoigne's self - esteem and art ...
Pagina 15
... lines , " masculine force , austerity , stoicism , and anti - Petrarchist satire are often perceived to be more mature , realistic , and serious . Perhaps we all want to be - like Gascoigne in the frontispiece with his sword unsheathed ...
... lines , " masculine force , austerity , stoicism , and anti - Petrarchist satire are often perceived to be more mature , realistic , and serious . Perhaps we all want to be - like Gascoigne in the frontispiece with his sword unsheathed ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |