Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 9
... limits in scope , it nevertheless furnishes a particularly intense and self - consciously manipulated perspective . Exploring gender representation in lyrical drama demands special attention not only to the artistic fiction- making ...
... limits in scope , it nevertheless furnishes a particularly intense and self - consciously manipulated perspective . Exploring gender representation in lyrical drama demands special attention not only to the artistic fiction- making ...
Pagina 11
... limits inherent in their perspective , even as regards their own works in performance . Passion Made Public thus looks care- fully at the texts of men who can gender subjectivity as exclusively male only in their imaginations ( if there ) ...
... limits inherent in their perspective , even as regards their own works in performance . Passion Made Public thus looks care- fully at the texts of men who can gender subjectivity as exclusively male only in their imaginations ( if there ) ...
Pagina 16
... limits of Petrarchism were not lost on Elizabethan poet - playwrights . " Language most shewes a man : speake that I may see thee , " wrote Ben Jonson in his Timbre , or Discoveries ( Herford and Simpson 625 ) . In the comedies of ...
... limits of Petrarchism were not lost on Elizabethan poet - playwrights . " Language most shewes a man : speake that I may see thee , " wrote Ben Jonson in his Timbre , or Discoveries ( Herford and Simpson 625 ) . In the comedies of ...
Pagina 26
... limit " ( 5 ) . Much of the de- light in Elizabethan poetry comes from a sense of proportion , a knowledge of the limits as well as the enchantments of poetry and the courtly pursuits it celebrates . The ability to recognize limitation ...
... limit " ( 5 ) . Much of the de- light in Elizabethan poetry comes from a sense of proportion , a knowledge of the limits as well as the enchantments of poetry and the courtly pursuits it celebrates . The ability to recognize limitation ...
Pagina 35
Ne pare rău, conținutul acestei pagini este restricționat.
Ne pare rău, conținutul acestei pagini este restricționat.
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |