Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 6
... later sixteenth century , female political authority , a popular literary vogue , and professional theater interacted to develop a rhetoric and setting for love lyrics ; this in turn expanded the meanings and horizons of such poetry ...
... later sixteenth century , female political authority , a popular literary vogue , and professional theater interacted to develop a rhetoric and setting for love lyrics ; this in turn expanded the meanings and horizons of such poetry ...
Pagina 7
... later , it had become a source of mythology , in one of history's most successful cases of political image - making . Her sex had a widespread and obvious impact on courtly art , be it the cause for eulogy in The Faerie Queene or the ...
... later , it had become a source of mythology , in one of history's most successful cases of political image - making . Her sex had a widespread and obvious impact on courtly art , be it the cause for eulogy in The Faerie Queene or the ...
Pagina 12
... later work in its entirety . The hero is the struggling poet , the villain becomes the royal court . That court is of course run by a woman ; moreover , it is Eliza- beth ( not the divines and gentlemen who actually criticized and ...
... later work in its entirety . The hero is the struggling poet , the villain becomes the royal court . That court is of course run by a woman ; moreover , it is Eliza- beth ( not the divines and gentlemen who actually criticized and ...
Pagina 18
... later women writers and readers . " Lewis's plural subject is of course male , and female figures range from the poet's self- created " celestial mistress " to a " hussy , a strumpet " ( by implication , more like the " actual " women ...
... later women writers and readers . " Lewis's plural subject is of course male , and female figures range from the poet's self- created " celestial mistress " to a " hussy , a strumpet " ( by implication , more like the " actual " women ...
Pagina 22
... later poets , most notably the turn - of- the - nineteenth - century arguments of Wordsworth and Coleridge , and the reactions they provoked . Not surprisingly , some of their assumptions run counter to earlier practice . Most ...
... later poets , most notably the turn - of- the - nineteenth - century arguments of Wordsworth and Coleridge , and the reactions they provoked . Not surprisingly , some of their assumptions run counter to earlier practice . Most ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |