Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 6
... imply quite distinct attitudes toward the relationships among courtly love , female sovereignty , and poetic authority . Passion Made Public reveals the significance of these artistic choices , focusing on the inter- relations between ...
... imply quite distinct attitudes toward the relationships among courtly love , female sovereignty , and poetic authority . Passion Made Public reveals the significance of these artistic choices , focusing on the inter- relations between ...
Pagina 18
... implies significance yet to come , idols desperately attempt to render presence and evade temporality by realizing significance in the here and now . Freccero ar- gues that " in order to create an autonomous universe of autoreflexive ...
... implies significance yet to come , idols desperately attempt to render presence and evade temporality by realizing significance in the here and now . Freccero ar- gues that " in order to create an autonomous universe of autoreflexive ...
Pagina 23
... implies ( see Miner , in Lewalski 22 ) . The lyrical discourse I examine is for the most part explicitly con- cerned with love and sexuality . It could also qualify in the often amorphous categorization of lyric as " musical , " in the ...
... implies ( see Miner , in Lewalski 22 ) . The lyrical discourse I examine is for the most part explicitly con- cerned with love and sexuality . It could also qualify in the often amorphous categorization of lyric as " musical , " in the ...
Pagina 26
... imply dismissiveness or unimportance . The poet Robert Pinsky points out in dis- cussing Thomas Campion's lyric , " Now Winter Nights Enlarge , " that its " harmonious blending . . . rests on a sense of limit " ( 5 ) . Much of the de ...
... imply dismissiveness or unimportance . The poet Robert Pinsky points out in dis- cussing Thomas Campion's lyric , " Now Winter Nights Enlarge , " that its " harmonious blending . . . rests on a sense of limit " ( 5 ) . Much of the de ...
Pagina 33
Ne pare rău, conținutul acestei pagini este restricționat.
Ne pare rău, conținutul acestei pagini este restricționat.
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |