Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 5 din 88
Pagina 2
... drama . Conventional Petrarchan poetry was " a language compounded of hyperbole , more or less witty con- ceits , word - play , oxymorons and endless repetition , usually focused on the versifier's unrequited love ( real or imagined ) ...
... drama . Conventional Petrarchan poetry was " a language compounded of hyperbole , more or less witty con- ceits , word - play , oxymorons and endless repetition , usually focused on the versifier's unrequited love ( real or imagined ) ...
Pagina 3
... drama.2 Working inductively from the particulars of Elizabethan texts we will discover more artful significance than deductive ( and reductive ) judgments about court drama and amatory lyric might lead us to expect . This chap- ter ...
... drama.2 Working inductively from the particulars of Elizabethan texts we will discover more artful significance than deductive ( and reductive ) judgments about court drama and amatory lyric might lead us to expect . This chap- ter ...
Pagina 4
... drama . From this analysis emerges a pattern , a correlation between the specific uses of lyric poetry in perfor- mances and the claims and attitudes displayed within those performances regarding female authority and the rhetorical ...
... drama . From this analysis emerges a pattern , a correlation between the specific uses of lyric poetry in perfor- mances and the claims and attitudes displayed within those performances regarding female authority and the rhetorical ...
Pagina 6
... drama , ” and that “ in no other period of our literature have so many good lyrics been written by so many different poets " ( Elizabethan 41 ) . Why did the Elizabethan period become the great age of verse drama ? Leaving aside the ...
... drama , ” and that “ in no other period of our literature have so many good lyrics been written by so many different poets " ( Elizabethan 41 ) . Why did the Elizabethan period become the great age of verse drama ? Leaving aside the ...
Pagina 9
... drama demands special attention not only to the artistic fiction- making involved in representing particular queens but also to the multiple aspects of queenship which made Elizabeth exceptional as a woman ( includ- ing the spiritual ...
... drama demands special attention not only to the artistic fiction- making involved in representing particular queens but also to the multiple aspects of queenship which made Elizabeth exceptional as a woman ( includ- ing the spiritual ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |