Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 4
... authority and the rhetorical powers of the male poet . This associative pattern , moreover , has often been replicated uncritically in the critical history of Elizabethan lyric and drama , to the detriment of both our artistic ...
... authority and the rhetorical powers of the male poet . This associative pattern , moreover , has often been replicated uncritically in the critical history of Elizabethan lyric and drama , to the detriment of both our artistic ...
Pagina 6
... authority . Passion Made Public reveals the significance of these artistic choices , focusing on the inter- relations between the theatrical representation of lyric and the diverse , subtle social commentary dramatized on the ...
... authority . Passion Made Public reveals the significance of these artistic choices , focusing on the inter- relations between the theatrical representation of lyric and the diverse , subtle social commentary dramatized on the ...
Pagina 7
... of a female realm of authority from the erotic and poetic into the public and political complicates the definition and terms of " power . " To what extent did the artistic veneration of Elizabeth extend into a cultural Introduction 7.
... of a female realm of authority from the erotic and poetic into the public and political complicates the definition and terms of " power . " To what extent did the artistic veneration of Elizabeth extend into a cultural Introduction 7.
Pagina 10
... authority . The book's con- clusion considers the legacy of these representations , particularly empha- sizing the tensions between Shakespeare's incorporation of female desire in comic plots culminating in marriage , and the defiantly ...
... authority . The book's con- clusion considers the legacy of these representations , particularly empha- sizing the tensions between Shakespeare's incorporation of female desire in comic plots culminating in marriage , and the defiantly ...
Pagina 11
... authority ; many authors clearly have felt the need to reconceive the relationship between these two emblems of Britain's glory in ways consonant with subsequent artistic , political , and sexual values . This gendered image - making ...
... authority ; many authors clearly have felt the need to reconceive the relationship between these two emblems of Britain's glory in ways consonant with subsequent artistic , political , and sexual values . This gendered image - making ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |