Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 2
... appears onstage ) but also with the fashionable courtly poetry of love - fashionable at Shakespeare's English court , as well as in his fictionalized " fair Verona ( where we lay our scene ) " ( 1.1.2 ) . Having entered the play ...
... appears onstage ) but also with the fashionable courtly poetry of love - fashionable at Shakespeare's English court , as well as in his fictionalized " fair Verona ( where we lay our scene ) " ( 1.1.2 ) . Having entered the play ...
Pagina 12
... appears in the opening discussion of the Kenilworth pageants to mock and disturb the poet ( although McCoy ad- mits that she treated Gascoigne kindly - it was his own indecorous action that " clearly shattered his authorial composure ...
... appears in the opening discussion of the Kenilworth pageants to mock and disturb the poet ( although McCoy ad- mits that she treated Gascoigne kindly - it was his own indecorous action that " clearly shattered his authorial composure ...
Pagina 17
... appears only the idle amusement of literate courtiers may become the site of something more , a game with many cultural and aesthetic functions . The very popularity of that game undermines the monolithic interpretation of its meaning ...
... appears only the idle amusement of literate courtiers may become the site of something more , a game with many cultural and aesthetic functions . The very popularity of that game undermines the monolithic interpretation of its meaning ...
Pagina 22
... appears on the Elizabethan stage and at court , the enduring beliefs that it is necessarily " antidramatic " and that it rises " above " politics seem anachronistic ; the notion that " true lyric " was antithetical to narrative , when ...
... appears on the Elizabethan stage and at court , the enduring beliefs that it is necessarily " antidramatic " and that it rises " above " politics seem anachronistic ; the notion that " true lyric " was antithetical to narrative , when ...
Pagina 23
... appears to be more a product than a precondition of Elizabethan literature , as the ex- ample of Shakespeare's Romeo and Juliet implies and as will be more fully argued in the final chapter . The overemphasis on this binary opposition ...
... appears to be more a product than a precondition of Elizabethan literature , as the ex- ample of Shakespeare's Romeo and Juliet implies and as will be more fully argued in the final chapter . The overemphasis on this binary opposition ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |