Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
Din interiorul cărții
Rezultatele 1 - 5 din 31
Pagina 11
... aesthetic understanding . Theater is always and in all aspects collaborative , even when some par- ticipants wish it were otherwise . As playwrights often discover to their dis- gruntlement , theirs is not the only perspective enacted ...
... aesthetic understanding . Theater is always and in all aspects collaborative , even when some par- ticipants wish it were otherwise . As playwrights often discover to their dis- gruntlement , theirs is not the only perspective enacted ...
Pagina 14
... aesthetic : " Others there are , that have no composition at all ; but a kind of tuneing , and riming fall , in what they write . It runs and slides , and onely makes a sound . Womens - poets they are call'd : as you have womens ...
... aesthetic : " Others there are , that have no composition at all ; but a kind of tuneing , and riming fall , in what they write . It runs and slides , and onely makes a sound . Womens - poets they are call'd : as you have womens ...
Pagina 17
... aesthetic functions . The very popularity of that game undermines the monolithic interpretation of its meaning . Moreover , because this courtly love situation presumed the re- versal of standard gender roles ( the man becoming - at ...
... aesthetic functions . The very popularity of that game undermines the monolithic interpretation of its meaning . Moreover , because this courtly love situation presumed the re- versal of standard gender roles ( the man becoming - at ...
Pagina 26
... aesthetic judgments . In this " revaluing , ” we need not lose the sense of play and humor in most Elizabethan lyrical drama that also made it popular and helps de- scribe it as a genre ( in part a result of the ambiguous " placement ...
... aesthetic judgments . In this " revaluing , ” we need not lose the sense of play and humor in most Elizabethan lyrical drama that also made it popular and helps de- scribe it as a genre ( in part a result of the ambiguous " placement ...
Pagina 32
... aesthetic subtleties , see especially the work of Greenblatt , Orgel , Goldberg , Montrose , Javitch , McCoy , Jones and Stallybrass , Marcus , Ten- nenhouse , Crewe , Belsey , Loomba , Frye , Fumerton ( Cultural ) , B. Smith ( Homo ...
... aesthetic subtleties , see especially the work of Greenblatt , Orgel , Goldberg , Montrose , Javitch , McCoy , Jones and Stallybrass , Marcus , Ten- nenhouse , Crewe , Belsey , Loomba , Frye , Fumerton ( Cultural ) , B. Smith ( Homo ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |