Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 2
... Shakespeare's English court , as well as in his fictionalized " fair Verona ( where we lay our scene ) " ( 1.1.2 ) . Having entered the play spouting a Petrarchan sestet , Romeo now calls out his tropes in honor of another lovely ...
... Shakespeare's English court , as well as in his fictionalized " fair Verona ( where we lay our scene ) " ( 1.1.2 ) . Having entered the play spouting a Petrarchan sestet , Romeo now calls out his tropes in honor of another lovely ...
Pagina 5
... Shakespeare to represent this form onstage , was clearly connected with the courtly culture of Elizabeth Tudor , the Virgin Queen famously averse to wedded bliss . Is Shakespeare's use of the sonnet simply an exten- sion of courtly ...
... Shakespeare to represent this form onstage , was clearly connected with the courtly culture of Elizabeth Tudor , the Virgin Queen famously averse to wedded bliss . Is Shakespeare's use of the sonnet simply an exten- sion of courtly ...
Pagina 10
... Shakespeare's incorporation of female desire in comic plots culminating in marriage , and the defiantly virginal image of England's Elizabeth . The repeated juxtaposition of Shakespeare and Eliza- beth in nineteenth- and twentieth ...
... Shakespeare's incorporation of female desire in comic plots culminating in marriage , and the defiantly virginal image of England's Elizabeth . The repeated juxtaposition of Shakespeare and Eliza- beth in nineteenth- and twentieth ...
Pagina 14
... Shakespeare's " will " and " force " ( Holmes et al . 202 , 222 ) . In one of the more amusing passages from his lectures on Shakespeare , as summa- rized by his student Collier , Coleridge seems to become excited with his own analogy ...
... Shakespeare's " will " and " force " ( Holmes et al . 202 , 222 ) . In one of the more amusing passages from his lectures on Shakespeare , as summa- rized by his student Collier , Coleridge seems to become excited with his own analogy ...
Pagina 16
... Shakespeare's plays on the assumption that only a young man would focus on love poetry , thus inaccurately separating the stylisti- cally linked , lyrically influenced plays written in the mid - 1590s . He relies on their increasingly ...
... Shakespeare's plays on the assumption that only a young man would focus on love poetry , thus inaccurately separating the stylisti- cally linked , lyrically influenced plays written in the mid - 1590s . He relies on their increasingly ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |