Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 pagini |
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Pagina 3
... moreover , that has contributed to the general disregard for , and scholarly denigration of , some artful poetry by his less familiar contemporaries . What is it in the lan- guage of lips and hands , of rough and smooth , of love's ...
... moreover , that has contributed to the general disregard for , and scholarly denigration of , some artful poetry by his less familiar contemporaries . What is it in the lan- guage of lips and hands , of rough and smooth , of love's ...
Pagina 4
... moreover , has often been replicated uncritically in the critical history of Elizabethan lyric and drama , to the detriment of both our artistic appreciation and our cultural self - knowledge . These emergent pat- terns and the diverse ...
... moreover , has often been replicated uncritically in the critical history of Elizabethan lyric and drama , to the detriment of both our artistic appreciation and our cultural self - knowledge . These emergent pat- terns and the diverse ...
Pagina 5
... Moreover , the popularity of sonnetizing during the 1590s , which repeatedly spurred Shakespeare to represent this form onstage , was clearly connected with the courtly culture of Elizabeth Tudor , the Virgin Queen famously averse to ...
... Moreover , the popularity of sonnetizing during the 1590s , which repeatedly spurred Shakespeare to represent this form onstage , was clearly connected with the courtly culture of Elizabeth Tudor , the Virgin Queen famously averse to ...
Pagina 6
... Moreover , the very heart of this tragedy lies in the inability of the young lovers , trapped within the hostile court culture of Verona , to unite their private domain of amatory discourse with a public , legal assertion of their bond ...
... Moreover , the very heart of this tragedy lies in the inability of the young lovers , trapped within the hostile court culture of Verona , to unite their private domain of amatory discourse with a public , legal assertion of their bond ...
Pagina 12
... moreover , it is Eliza- beth ( not the divines and gentlemen who actually criticized and perhaps censored Gascoigne's published work ) who rhetorically frames McCoy's article , smothering the artist . She appears in the opening ...
... moreover , it is Eliza- beth ( not the divines and gentlemen who actually criticized and perhaps censored Gascoigne's published work ) who rhetorically frames McCoy's article , smothering the artist . She appears in the opening ...
Cuprins
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Termeni și expresii frecvente
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasaje populare
Pagina 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pagina 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Pagina 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referințe la această carte
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Previzualizare limitată - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Previzualizare limitată - 1997 |