Shakspeare's dramatic art: and his relation to Calderon and Goethe, tr. [by A.J.W. Morrison.].Chapman brothers, 1846 - 554 pagini |
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Pagina xi
... necessary for me to determine what was Shakspeare's own conception of the essence of the tragic , comic , and historic drama ; or , what is the same , to shew that a true æsthetical notion was the basis of each actual manifestation ...
... necessary for me to determine what was Shakspeare's own conception of the essence of the tragic , comic , and historic drama ; or , what is the same , to shew that a true æsthetical notion was the basis of each actual manifestation ...
Pagina 11
... necessary conditions of each ..other , in so far as the pure allegory could not easily be expelled at once from the sphere of the Moralities . In both cases a step was taken which brought the drama nearer to real life , and con ...
... necessary conditions of each ..other , in so far as the pure allegory could not easily be expelled at once from the sphere of the Moralities . In both cases a step was taken which brought the drama nearer to real life , and con ...
Pagina 12
... necessary to adhere closely and strictly to the historical narrative , even though it was less the fact itself than the writer's judgment upon it , and the impression it made upon contemporaries - thoughts and reflections upon it , in ...
... necessary to adhere closely and strictly to the historical narrative , even though it was less the fact itself than the writer's judgment upon it , and the impression it made upon contemporaries - thoughts and reflections upon it , in ...
Pagina 20
... necessary for them to sympathise closely with , but at the same time to rise somewhat above it , and above all to apply themselves to subjects at once interesting and intelligible to the people : to employ these elements with the ...
... necessary for them to sympathise closely with , but at the same time to rise somewhat above it , and above all to apply themselves to subjects at once interesting and intelligible to the people : to employ these elements with the ...
Pagina 26
... necessary consequence of the properly christian development of mind which in England and Spain , being undisturbed by any foreign influence , determined the shape and manner of the evolution of art . In the ancient view a physical and ...
... necessary consequence of the properly christian development of mind which in England and Spain , being undisturbed by any foreign influence , determined the shape and manner of the evolution of art . In the ancient view a physical and ...
Alte ediții - Afișează-le pe toate
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Vizualizare completă - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe ... Hermann ULRICI Vizualizare completă - 1846 |
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Vizualizare completă - 1846 |
Termeni și expresii frecvente
Accordingly action æsthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian Church circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour influence inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poet poetical poetry possess present Prince principle profound racter Richard Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole Winter's Tale
Pasaje populare
Pagina 105 - Anon permit the basest clouds to ride With ugly rack on his celestial face And from the forlorn world his visage hide, Stealing unseen to west with this disgrace. Even so my sun one early morn did shine With all-triumphant splendour on my brow; But out, alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
Pagina 112 - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Pagina 105 - Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth and where they did proceed...
Pagina 106 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand. Pity me then and wish I were renew'd, Whilst, like a willing patient, I will drink Potions of eisel 'gainst my strong infection ; No bitterness that I will bitter think, Nor double penance, to correct correction....
Pagina 309 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Pagina 104 - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...
Pagina 94 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Pagina 304 - Though justice be thy plea, consider this,— That, in the course of justice, none of us Should see salvation : we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Pagina 106 - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
Pagina 92 - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames That so did take Eliza and our James!