Shakspeare's dramatic art: and his relation to Calderon and Goethe, tr. [by A.J.W. Morrison.].Chapman brothers, 1846 - 554 pagini |
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Pagina xii
... former , for the ready kind- ́ness with which he opened to me his rich library of English works , and to the latter , for the obliging friendship with which not only on the present occasion , but on many previous ones , he has hastened ...
... former , for the ready kind- ́ness with which he opened to me his rich library of English works , and to the latter , for the obliging friendship with which not only on the present occasion , but on many previous ones , he has hastened ...
Pagina 6
... former was usually repre- sented in the most hideous form possible , with a huge bottle - nose , hairy skin , cloven feet , and a tail ; while Vice - the prototype of our modern Harlequin - was dressed in a parti - coloured cloak , with ...
... former was usually repre- sented in the most hideous form possible , with a huge bottle - nose , hairy skin , cloven feet , and a tail ; while Vice - the prototype of our modern Harlequin - was dressed in a parti - coloured cloak , with ...
Pagina 7
... former pleading for , the latter against , Humanum Genus . At last God decides in favour of the former , and the evil spirit is driven to hell , and God himself concludes the piece with an epilogue , wherein he sets forth the moral ...
... former pleading for , the latter against , Humanum Genus . At last God decides in favour of the former , and the evil spirit is driven to hell , and God himself concludes the piece with an epilogue , wherein he sets forth the moral ...
Pagina 14
... former the sacred history was made to adjust itself to the laws and requirements of art , while in the latter , art was made subordinate to the religious matter . The piece was now no longer a merely dramatised narrative ; the plot ...
... former the sacred history was made to adjust itself to the laws and requirements of art , while in the latter , art was made subordinate to the religious matter . The piece was now no longer a merely dramatised narrative ; the plot ...
Pagina 19
... former is given in Dodsley's Collection , and the latter has been made use of by Fletcher in his " Two Noble Kinsmen . " A contemporary , Thomas Twine , calls Edwards " the flower of our realm , And Phoenix of our age . " In truth , his ...
... former is given in Dodsley's Collection , and the latter has been made use of by Fletcher in his " Two Noble Kinsmen . " A contemporary , Thomas Twine , calls Edwards " the flower of our realm , And Phoenix of our age . " In truth , his ...
Alte ediții - Afișează-le pe toate
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Vizualizare completă - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe ... Hermann ULRICI Vizualizare completă - 1846 |
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Vizualizare completă - 1846 |
Termeni și expresii frecvente
Accordingly action æsthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian Church circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour influence inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poet poetical poetry possess present Prince principle profound racter Richard Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole Winter's Tale
Pasaje populare
Pagina 105 - Anon permit the basest clouds to ride With ugly rack on his celestial face And from the forlorn world his visage hide, Stealing unseen to west with this disgrace. Even so my sun one early morn did shine With all-triumphant splendour on my brow; But out, alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
Pagina 112 - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Pagina 105 - Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth and where they did proceed...
Pagina 106 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand. Pity me then and wish I were renew'd, Whilst, like a willing patient, I will drink Potions of eisel 'gainst my strong infection ; No bitterness that I will bitter think, Nor double penance, to correct correction....
Pagina 309 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Pagina 104 - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...
Pagina 94 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Pagina 304 - Though justice be thy plea, consider this,— That, in the course of justice, none of us Should see salvation : we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Pagina 106 - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
Pagina 92 - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames That so did take Eliza and our James!