Shakspeare's dramatic art: and his relation to Calderon and Goethe, tr. [by A.J.W. Morrison.].Chapman brothers, 1846 - 554 pagini |
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Pagina xiii
... • • 289 300 323 Much Ado about Nothing - Taming of the Shrew Merchant of Venice - Measure for Measure - Cymbeline Merry Wives of Windsor - Troilus and Cressida Histories : Page General View of the Historical Drama 342.
... • • 289 300 323 Much Ado about Nothing - Taming of the Shrew Merchant of Venice - Measure for Measure - Cymbeline Merry Wives of Windsor - Troilus and Cressida Histories : Page General View of the Historical Drama 342.
Pagina 1
... drama . If we overlook the pieces which , after the seventh cen- tury , were frequently represented in the nunneries , and the brief spectacles which , in the eighth and ninth centuries , were exhibited by monks and nuns at the funerals ...
... drama . If we overlook the pieces which , after the seventh cen- tury , were frequently represented in the nunneries , and the brief spectacles which , in the eighth and ninth centuries , were exhibited by monks and nuns at the funerals ...
Pagina 5
... drama reaches to the middle of the fifteenth century ; the second dates from the union of its ecclesiastical and religious original with its secular element ; while the third , commencing with the influence of the study of classical ...
... drama reaches to the middle of the fifteenth century ; the second dates from the union of its ecclesiastical and religious original with its secular element ; while the third , commencing with the influence of the study of classical ...
Pagina 8
... drama be the organic union of epic and lyric poetry , ( see below , § 3 ) , it is obvious that in order to its more perfect development , the scenic exhibition of narratives from the Holy Scriptures - the dramatic employment of the ...
... drama be the organic union of epic and lyric poetry , ( see below , § 3 ) , it is obvious that in order to its more perfect development , the scenic exhibition of narratives from the Holy Scriptures - the dramatic employment of the ...
Pagina 9
Hermann Ulrici. and affections , of thought and reflection , pass into the drama . The Moralities , consequently , formed in fact no inconsiderable advancement of dramatic art , in so far as from their very ... DRAMA , BEFORE SHAKSPEARE . 9.
Hermann Ulrici. and affections , of thought and reflection , pass into the drama . The Moralities , consequently , formed in fact no inconsiderable advancement of dramatic art , in so far as from their very ... DRAMA , BEFORE SHAKSPEARE . 9.
Alte ediții - Afișează-le pe toate
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Vizualizare completă - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe ... Hermann ULRICI Vizualizare completă - 1846 |
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Vizualizare completă - 1846 |
Termeni și expresii frecvente
Accordingly action æsthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian Church circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour influence inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poet poetical poetry possess present Prince principle profound racter Richard Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole Winter's Tale
Pasaje populare
Pagina 105 - Anon permit the basest clouds to ride With ugly rack on his celestial face And from the forlorn world his visage hide, Stealing unseen to west with this disgrace. Even so my sun one early morn did shine With all-triumphant splendour on my brow; But out, alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
Pagina 112 - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Pagina 105 - Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth and where they did proceed...
Pagina 106 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand. Pity me then and wish I were renew'd, Whilst, like a willing patient, I will drink Potions of eisel 'gainst my strong infection ; No bitterness that I will bitter think, Nor double penance, to correct correction....
Pagina 309 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Pagina 104 - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...
Pagina 94 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Pagina 304 - Though justice be thy plea, consider this,— That, in the course of justice, none of us Should see salvation : we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Pagina 106 - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
Pagina 92 - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames That so did take Eliza and our James!