Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-96
... give : Ulyss .: May I , sweet lady , beg a kiss of you ? Cres .: You may . Ulyss .: Cres .: I do desire it . Why , beg , then . Ulyss .: Why then for Venus ' sake , give me a kiss , When Helen is a maid again , and his [ sc . Menelaus ...
... give : Ulyss .: May I , sweet lady , beg a kiss of you ? Cres .: You may . Ulyss .: Cres .: I do desire it . Why , beg , then . Ulyss .: Why then for Venus ' sake , give me a kiss , When Helen is a maid again , and his [ sc . Menelaus ...
Pagina 8-119
... give up his apparently beloved sister to the lecherous old Antony , and in full and disapproving knowledge of Antony's mode of life : Let us grant , it is not Amiss to tumble on the bed of Ptolemy ; To give a kingdom for a mirth ; to ...
... give up his apparently beloved sister to the lecherous old Antony , and in full and disapproving knowledge of Antony's mode of life : Let us grant , it is not Amiss to tumble on the bed of Ptolemy ; To give a kingdom for a mirth ; to ...
Pagina 8-273
... give us coupons for our meals , We've all got so confus'd that now we none of us quite know If we're standing on our head or on our heels . So we'll sing Hurrah for England and then give a hearty cheer . Our Navy holds the water and our ...
... give us coupons for our meals , We've all got so confus'd that now we none of us quite know If we're standing on our head or on our heels . So we'll sing Hurrah for England and then give a hearty cheer . Our Navy holds the water and our ...
Cuprins
Shakespeare and the Popular Dramatic Tradition by S L Bethell | 8-3 |
Pantomime by John Shand | 8-159 |
Music Halls by John Shand | 8-167 |
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accept actor actual Adorno Antony and Cleopatra artists attention attitude audience ballad Britannia burlesque character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism culture dialogue Dover Wilson dual consciousness dumb-show Elizabethan England English example experience expressed Falstaff feeling film George Formby glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius Lear listener lyricist Macbeth mass means melody mind modern multi-consciousness music hall music-hall music-hall song naturalistic nature never night Othello pantomime passage patriotic song performance Peter Davison play Player's speech players plugging poetic poetry popular drama popular music popular song present production Professor Schücking psychological recognition reference Roman scene serious music Shakespeare significance sing social speak stage standardization story suggestion symbolic taste theatre theme thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing