Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pagini |
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Pagina 8-73
... dialogue of Falstaff reflects one personality ; the dialogue of Lear another and very different personality . In outline a character will usually correspond to the account given of him by the method of direct statement : Malvolio's ...
... dialogue of Falstaff reflects one personality ; the dialogue of Lear another and very different personality . In outline a character will usually correspond to the account given of him by the method of direct statement : Malvolio's ...
Pagina 8-91
... dialogue . Its deeper themes are conveyed mainly in the dialogue , and almost incidentally : the concern with court versus country , and the question of literary pastoral . There is a triple burlesque : of the courtiers who sigh for the ...
... dialogue . Its deeper themes are conveyed mainly in the dialogue , and almost incidentally : the concern with court versus country , and the question of literary pastoral . There is a triple burlesque : of the courtiers who sigh for the ...
Pagina 8-92
... dialogue , which are all fused into a poetic and dramatic whole . Again , whereas the comic themes are relatively intellectual , and capable of detached treatment as ideas within the dialogue , the tragedies are concerned with man's ...
... dialogue , which are all fused into a poetic and dramatic whole . Again , whereas the comic themes are relatively intellectual , and capable of detached treatment as ideas within the dialogue , the tragedies are concerned with man's ...
Cuprins
Shakespeare and the Popular Dramatic Tradition by S L Bethell | 8-3 |
Pantomime by John Shand | 8-159 |
Music Halls by John Shand | 8-167 |
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accept actor actual Adorno Antony and Cleopatra artists attention attitude audience ballad Britannia burlesque character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism culture dialogue Dover Wilson dual consciousness dumb-show Elizabethan England English example experience expressed Falstaff feeling film George Formby glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius Lear listener lyricist Macbeth mass means melody mind modern multi-consciousness music hall music-hall music-hall song naturalistic nature never night Othello pantomime passage patriotic song performance Peter Davison play Player's speech players plugging poetic poetry popular drama popular music popular song present production Professor Schücking psychological recognition reference Roman scene serious music Shakespeare significance sing social speak stage standardization story suggestion symbolic taste theatre theme thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing