Chapter XVII. SONGS OF THE MORNING. But I will sing of thy power: yea, I will sing aloud of thy mercy in 阿 the morning." T is pleasant to sit in the oriel window of an old grammar-school library, with the many-coloured light falling on the open folio as it lies on the ponderous reading-desk, and to hear, amidst one's musings, the music of the boys' voices as their morning hymn comes floating up along the gallery, gently touching the soul with its mellow harmony. How many a time since the fourteenth century, when William of Wykeham opened his Winchester School, has such morning music charmed the old college of that storied city. Bishop Mant used to think with pleasure of the morning hymn which the boys used to sing in that school in his days. It was the simple, beautiful, and devout old song, "Jam lucis orto sidere," etc., and nothing could be more happily chosen as a morning song for the young scholars. Mant threw his whole soul into his translation of it. Brightly shines the morning star: That the tongue by Him withheld, That the heart, with pureness fraught, That, when the day shall close, We, triumphant o'er our foes, Glory, Sire of all, to Thee; And to Thee, co-equal Son, With the Spirit glory be; One in Three, and Three in One. Between one and two hundred years before Mant's time, that same hymn was sung in that same school, and among the rest of the voices then swelling the devout music there was Ken's; and how far the style, and manner, and spirit of that ancient hymn served to form that habit of tuneful expression which afterwards distinguished the good bishop, who can tell? Should we ever have had his inimitable morning hymn but for that early Winchester exercise? Probably, when in after life he used to chant his own morning and evening hymns to the music of his lute, his soul was giving forth the echoes of the old melody which had so deeply touched his poetic soul while yet a boy. To think of morning songs is always to think of Bishop Ken, and, whether the morning be bright or dull, his hymn is always fresh : Awake, my soul, and with the sun Thy precious time misspent redeem; In conversation be sincere; Keep conscience as the noontide clear; By influence of the light divine, Wake and lift up thyself, my heart, May I, like you, in God delight, Had I your wings, to heaven I'd fly; All praise to Thee, who safe has kept, I would not wake nor rise again, Heav'n is, dear Lord, where'er Thou art; For, to my soul, 'tis hell to be But for one moment void of Thee. Lord, I my vows to thee renew; Disperse my sins as morning dew, Guard my first springs of thought and will, Direct, control, suggest, this day, All I design, or do, or say; That all my powers, with all their might, Praise God, from whom all blessings flow; Praise Him, all creatures here below! Praise Father, Son, and Holy Ghost. The best of men are never entirely independent of circumstances. Our religious feelings and expressions often take their tone from the atmosphere about us, and especially from the present physical condition of the outer man. Thought flows freely, or lags in heaviness, just as the subtle influences around us quicken or oppress. And though no mere circumstances can entirely quench the fire of genius, or prevent the Christian poet from uttering his inspirations, yet his hymns and songs will often be sprightly or plaintive as outward changes pass over him, or as the condition. of his physical life is shadowy or bright. Each morn⚫ing seems to bring its own inspiration to every pious hymnist. The morning song should be sprightly; but sometimes even the morning has shadows which give a kind of holy melancholy to the tone of praise. The praise that should wing its way upward, now and then lingers in the form of plaintive reflection or humble appeal. So in one of Toplady's songs of the morning. Not far from a spot in his Devonshire parish, where Cluniac monks used to sing such morning songs as came from their brother, Bernard of Morlaix, and others, his kindred hymnists, Toplady learnt to wear his weak body down by nightly study, until his morning songs became rather sombre or languid at times, so that they touch our human sympathy, while they have a subdued tone of feeling to our worship. Nevertheless, that day is well begun which opens with a song from the author of "Rock of Ages." His "Hymn for the Morning" runs thus Jesus, by whose grace I live, Since the last revolving dawn Unprepared to meet their God! |