Shakespeare's NoiseUniversity of Chicago Press, 2001 - 282 pagini "You common cry of curs! whose breath I hate / As reek o'th'rotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you!" (from Coriolanus) Kenneth Gross explores Shakespeare's deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanus's taunts or Lear's curses force us to think not just about how Shakespeare's characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeare's preoccupation with "noisy" speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England. Elegantly written and passionately argued, Shakespeare's Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors. |
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Pagina 2
... dangers that defamation poses in a world where a person's identity , his or her " fame , " depends so strongly on the words and fantasies of others . Shakespeare's concern with slander calls up the matter of rumor ( from the Latin for ...
... dangers that defamation poses in a world where a person's identity , his or her " fame , " depends so strongly on the words and fantasies of others . Shakespeare's concern with slander calls up the matter of rumor ( from the Latin for ...
Pagina 6
... dangers ( both real and imagined ) of civil discontent , aristocratic conspiracy , and religious faction- alism . For Stefano Guazzo , whose La conversazione civile was translated into English in the 1580s , slander was a fixed part of ...
... dangers ( both real and imagined ) of civil discontent , aristocratic conspiracy , and religious faction- alism . For Stefano Guazzo , whose La conversazione civile was translated into English in the 1580s , slander was a fixed part of ...
Pagina 7
... dangerous , " bristling with accounts of the calumnies launched against them by their opponents , defending the honor of their learning , and retorting with a level of ad hominem abuse that can still astonish . 13 Contemporary legal ...
... dangerous , " bristling with accounts of the calumnies launched against them by their opponents , defending the honor of their learning , and retorting with a level of ad hominem abuse that can still astonish . 13 Contemporary legal ...
Pagina 11
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Pagina 12
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Cuprins
The Rumor of Hamlet | 10 |
The Book of the Slanderer | 33 |
A Disturbance of Hearing in Vienna | 68 |
Denigration and Hallucination in Othello | 102 |
War Noise | 131 |
King Lear and the Register of Curse | 161 |
An Imaginary Theater | 193 |
Notes | 209 |
275 | |
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Termeni și expresii frecvente
A. C. Bradley abuse accusation actor Angelo Angus Fletcher audience Aufidius become blessing calls calumny Cambridge character Claudio Cordelia Coriolanus Coriolanus's curse dangerous dead death defamation Desdemona desire disguise drama dream Duke Duke's echo enemies face Faerie Queene false fame fantasy fear feel gestures ghost Hamlet hear hidden human Iago Iago's imagine Isabella Julien Gracq justice Kenneth Burke kind King Lear knowledge lago language Lear's listen London Lucio magical mask means Measure for Measure mouth noise once onstage Othello Oxford play play's Plutarch poison rage Renaissance revenge rumor scandal scene secret sense Shakespeare's shame shows silence slander space speak speakers speech stage storm story strange suggests theater thee thing thou tion tongues Tragedy trans truth turn uncanny University Press utterances violence voice vols Volscian William Empson witch words wounds York