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" an hour should not be a century in that calenture of the brain that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players... "
The Works of Samuel Johnson... - Pagina 346
de Samuel Johnson - 1825
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Miscellaneous and Fugitive Pieces, Volumul 2

Samuel Johnson - 1774 - 412 pagini
...Extnfy fliould count the Clock, or why an Hour fliould not be a Century in that Calenture of the Brains that can make the Stage a Field. The Truth is, that the Spectators are always in their Senfes, and know, from the firft Aft to the laft, that the Stage is only a Stage, and that the Players...
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Miscellaneous and Fugitive Pieces, Volumul 2

Samuel Johnson - 1774 - 374 pagini
...Extnfy mould count the Clock, or why an Hour fhould not be a Century in that Calenture of the Brains that can make the Stage a Field. The Truth is, that the Spectators are always in their Senfes, and know, from the firft Aft to the laft, that the Stage is only a Stage, arid that the Players...
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The Dramatick Writings of Will. Shakspere: With the Notes of All ..., Volumul 1

William Shakespeare - 1788 - 346 pagini
...nature. There is no reason \\ hy a mind, thus wandering in ecstacy, should count the clock; or why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their senses,...
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The Critical and Miscellaneous Prose Works of John ..., Volumul 1,Ediția 2

John Dryden, Edmond Malone - 1800 - 591 pagini
...terrestrial nature. There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not be a century in that calenture of the brains that can make the stage a field. " The truth is, that the spectators are always in their senses,...
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The Plays of William Shakespeare: Accurately Printed from the ..., Volumul 1

William Shakespeare - 1803 - 494 pagini
...terrestrial nature. There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their senses,...
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The Plays of William Shakespeare: With Notes of Various Commentators, Volumul 1

William Shakespeare - 1806 - 394 pagini
...terrestrial nature. There is no reason why a mind thut wandering in ecstasy should count the clock, or why. an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their senses,...
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The Works of Samuel Johnson, L.L.D.

Samuel Johnson - 1809 - 488 pagini
...terrestrial nature. There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not be a century in that calenture...stage is only a stage, and that the players are only play crs. They came to hear a certain number of lines recited with just gesture and elegant modulation....
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The Works of William Shakespeare, Volumul 1

William Shakespeare - 1810 - 444 pagini
...terrestrial nature. There is no reason why a mind thus wandering in ecstacy should count the clock, or why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their senses,...
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Historical and critical matter The tempest. Two gentlemen of Verona. Merry ...

William Shakespeare - 1811 - 510 pagini
...terrestrial nature. There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not be a century in that calenture of the brains that can make the stage a field. happening in Pontus; we know that there is neither war* DOT...
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The Dramatic Works of William Shakspeare, Volumul 1

William Shakespeare - 1814 - 470 pagini
...calenture of the ал make the stage a field. is that the spectators are always in their senses, and the first act to the last, that the stage is only a stage, ; players are only players. They come to hear a. iber of lines recited with just gesture and eleeant...
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