The Fine Art of Reading: And Other Literary StudiesBobbs-Merrill, 1957 - 282 pagini Reflections on literature from Shakespeare to Conrad. |
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Pagina 63
... drama , we modulate continuously from the first to the second and back again . Rightly , they contrast in character ; every advantage is taken of the opportunity for variety which the double plot affords . The Venetian plot is dramatic ...
... drama , we modulate continuously from the first to the second and back again . Rightly , they contrast in character ; every advantage is taken of the opportunity for variety which the double plot affords . The Venetian plot is dramatic ...
Pagina 140
... drama , she would not have had to bother so much about surface illusion . On the contrary , inner spiritual drama can only be conveyed in a mode that involves some degree of stylization . To quote Hardy again : Art is a disproportioning ...
... drama , she would not have had to bother so much about surface illusion . On the contrary , inner spiritual drama can only be conveyed in a mode that involves some degree of stylization . To quote Hardy again : Art is a disproportioning ...
Pagina 190
... drama turns on a more complex conflict in the soul of one or more figures drawn at full length . Heyst in Victory , Decoud in Nostromo , are men clear - sighted enough to see the futility of most human effort and the vanity of most ...
... drama turns on a more complex conflict in the soul of one or more figures drawn at full length . Heyst in Victory , Decoud in Nostromo , are men clear - sighted enough to see the futility of most human effort and the vanity of most ...
Cuprins
The Fine Art of Reading | 13 |
Shakespearean Comedy | 37 |
The Tragedies of John Ford | 109 |
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A. E. Housman achieve action admire aesthetic artist Beatrice beauty Brontë Calantha characteristic characters Charlotte Brontë charm colour comic Conrad convention critics death delightful Dorothy Osborne drama elements Elizabethan Emily Brontë English essay experience expression exquisite eyes fact feel figures Ford Ford's Gentlemen of Verona harmony Hazlitt heart honour human humour ideal imagination individual intellectual Ithocles Jane Austen Jaques Lady light living Lord Jim Love's Labour's Lost lovers lyrical comedy Malvolio Mare Mare's Marianne Merchant of Venice Midsummer-Night's Dream mind mood moral nature never Nostromo novel novelists Orgilus passion Pater pattern picture play pleasure plot poetic poetry prose reader reality realize romantic Rosalind says scene Sense and Sensibility sentiment Shakespeare Shakespeare's comedies shows Shylock soul spirit story strains style taste theme things thought tion tone tragedy tragic true Twelfth Night Viola vision vivid whole words writer