Middlemarch Volume I EasyRead Edition

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ReadHowYouWant.com, 2006 - 468 pagini
The most extraordinary masterpiece written from personal experience. "Middlemarch" is a deep psychological observation of human nature which revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel in which she stresses the fact that women should control their own lives. A highly recommended classic!

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Pagini selectate

Cuprins

CHAPTER I
2
CHAPTER VI
69
CHAPTER VII
86
CHAPTER VIII
92
CHAPTER IX
100
CHAPTER X
116
CHAPTER XI
133
CHAPTER XII
148
CHAPTER XVI
222
CHAPTER XVII
241
CHAPTER XVIII
254
CHAPTER XIX
270
CHAPTER XX
276
CHAPTER XXI
292
CHAPTER XXII
304
BOOK III
325

BOOK II
175
CHAPTER XIII
176
CHAPTER XIV
189
CHAPTER XV
204
CHAPTER XXIII
326
CHAPTER XXIV
342
Drept de autor

Termeni și expresii frecvente

Pasaje populare

Pagina 359 - Love seeketh not Itself to please, Nor for itself hath any care, But for another gives its ease, And builds a Heaven in Hell's despair." So sung a little Clod of Clay Trodden with the cattle's feet, But a Pebble of the brook Warbled out these metres meet: "Love seeketh only Self to please, To bind another to Its delight, Joys in another's loss of ease, And builds a Hell in Heaven's despite.
Pagina 389 - The distant flat shrank in uniform whiteness and low-hanging uniformity of cloud. The very furniture in the room seemed to have shrunk since she saw it before: the stag in the tapestry looked more like a ghost in his ghostly blue-green world; the volumes of polite literature in the bookcase looked more like immovable imitations of books.
Pagina 298 - he answered, promptly. " And therefore it is a pity that it should be thrown away, as so much English scholarship is, for want of knowing what is being done by the rest of the world. If Mr. Casaubon read German he would save himself a great deal of trouble." " I do not understand you, " said Dorothea, startled and anxious.
Pagina 279 - That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and We should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
Pagina 119 - ... we all of us, grave or light, get our thoughts entangled in metaphors, and act fatally on the strength of them.
Pagina 302 - To-day she had begun to see that she had been under a wild illusion in expecting a response to her feeling from Mr. Casaubon, and she had felt the waking of a presentiment that there might be a sad consciousness in his life which made as great a need on his side as on her own. We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves...
Pagina 88 - Perhaps even Hebrew might be necessary at least the alphabet and a few roots - in order to arrive at the core of things, and judge soundly on the social duties of the Christian.

Despre autor (2006)

George Eliot was born Mary Ann Evans on a Warwickshire farm in England, where she spent almost all of her early life. She received a modest local education and was particularly influenced by one of her teachers, an extremely religious woman whom the novelist would later use as a model for various characters. Eliot read extensively, and was particularly drawn to the romantic poets and German literature. In 1849, after the death of her father, she went to London and became assistant editor of the Westminster Review, a radical magazine. She soon began publishing sketches of country life in London magazines. At about his time Eliot began her lifelong relationship with George Henry Lewes. A married man, Lewes could not marry Eliot, but they lived together until Lewes's death. Eliot's sketches were well received, and soon after she followed with her first novel, Adam Bede (1859). She took the pen name "George Eliot" because she believed the public would take a male author more seriously. Like all of Eliot's best work, The Mill on the Floss (1860), is based in large part on her own life and her relationship with her brother. In it she begins to explore male-female relations and the way people's personalities determine their relationships with others. She returns to this theme in Silas Mariner (1861), in which she examines the changes brought about in life and personality of a miser through the love of a little girl. In 1863, Eliot published Romola. Set against the political intrigue of Florence, Italy, of the 1490's, the book chronicles the spiritual journey of a passionate young woman. Eliot's greatest achievement is almost certainly Middlemarch (1871). Here she paints her most detailed picture of English country life, and explores most deeply the frustrations of an intelligent woman with no outlet for her aspirations. This novel is now regarded as one of the major works of the Victorian era and one of the greatest works of fiction in English. Eliot's last work was Daniel Deronda. In that work, Daniel, the adopted son of an aristocratic Englishman, gradually becomes interested in Jewish culture and then discovers his own Jewish heritage. He eventually goes to live in Palestine. Because of the way in which she explored character and extended the range of subject matter to include simple country life, Eliot is now considered to be a major figure in the development of the novel. She is buried in Highgate Cemetery, North London, England, next to her common-law husband, George Henry Lewes.

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