Shakespeare's Poetics: In relation to King LearRoutledge, 11 oct. 2013 - 232 pagini First published in 1962. |
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Pagina 1
... Stage , Baton Rouge , La . , 1948 ; and Caroline Spurgeon , Shakespeare's Imagery and What It Tells Us , New York , 1935 . But to see in those images the manifestation of underlying I 'KING LEAR' IN THE RENAISSANCE I.
... Stage , Baton Rouge , La . , 1948 ; and Caroline Spurgeon , Shakespeare's Imagery and What It Tells Us , New York , 1935 . But to see in those images the manifestation of underlying I 'KING LEAR' IN THE RENAISSANCE I.
Pagina 8
... Stage persons , by definition , are not truly dimensional . They assume the aspect of life to the degree that the dramatist establishes in them a connexion with what is given , outside the theatre . He achieves the connexion by ...
... Stage persons , by definition , are not truly dimensional . They assume the aspect of life to the degree that the dramatist establishes in them a connexion with what is given , outside the theatre . He achieves the connexion by ...
Pagina 9
... stage an allegorical figure : Enter Rumour , painted full of tongues . But the impress on his work of what is traditional , of what is given , is evident , nonetheless , if oblique and , I daresay , unconscious . Lear is a proud man ...
... stage an allegorical figure : Enter Rumour , painted full of tongues . But the impress on his work of what is traditional , of what is given , is evident , nonetheless , if oblique and , I daresay , unconscious . Lear is a proud man ...
Pagina 10
... stage , according to the Folio version of A Midsummer Night's Dream , all through the Act — that is , through the interval — between Acts III and IV . They are not in fact roused until Theseus bids the huntsmen wake them with their ...
... stage , according to the Folio version of A Midsummer Night's Dream , all through the Act — that is , through the interval — between Acts III and IV . They are not in fact roused until Theseus bids the huntsmen wake them with their ...
Pagina 13
... stage , the tableau is reminiscent merely , like that of Patience gazing on kings ' graves and smiling Extremity out of act ; ( Pericles , 5.1.139f . ) or that of Love , as valorous as Hercules , Still climbing trees in the Hesperides ...
... stage , the tableau is reminiscent merely , like that of Patience gazing on kings ' graves and smiling Extremity out of act ; ( Pericles , 5.1.139f . ) or that of Love , as valorous as Hercules , Still climbing trees in the Hesperides ...
Cuprins
1 | |
17 | |
KIND | 30 |
FORTUNE | 46 |
ANARCHY AND ORDER | 61 |
REASON AND WILL | 85 |
SHOW AND SUBSTANCE | 103 |
REDEMPTION | 119 |
SHAKESPEARES POETICS | 138 |
WORKS CONSULTED | 168 |
INDEX | 175 |
Alte ediții - Afișează-le pe toate
Shakespeare's Poetics in Relation to King Lear Russell A. Fraser Nu există previzualizare disponibilă - 1962 |
Termeni și expresii frecvente
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