Shakespeare's Poetics: In relation to King LearRoutledge, 11 oct. 2013 - 232 pagini First published in 1962. |
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Pagina
... HEART AND THE SEEING HAND ( Rollenhagio , Nucleus Emblematum , emblem 72. ) XLIII . THE GRASSHOPPER AND THE ANTS ( Phillipe Desprez , Le Theatre des Animaux , Paris , 1620 , Sig . Gзr , p . 53. ) XLIV . ' SIC TRANSIT GLORIA MUNDI ...
... HEART AND THE SEEING HAND ( Rollenhagio , Nucleus Emblematum , emblem 72. ) XLIII . THE GRASSHOPPER AND THE ANTS ( Phillipe Desprez , Le Theatre des Animaux , Paris , 1620 , Sig . Gзr , p . 53. ) XLIV . ' SIC TRANSIT GLORIA MUNDI ...
Pagina 7
... heart , his hose is ungartered , his 1 See the representations of him in Amman , Icones Novi Testamenti , 1571 , Sigs . E4r , Flr . 2 See also 2HIV , 4.1.70-73 ; Lucrece , 11. 869-82 ; and , for other representations of Occasion ...
... heart , his hose is ungartered , his 1 See the representations of him in Amman , Icones Novi Testamenti , 1571 , Sigs . E4r , Flr . 2 See also 2HIV , 4.1.70-73 ; Lucrece , 11. 869-82 ; and , for other representations of Occasion ...
Pagina 10
... heart or in the head ? Now , the practice of juxtaposing — mutely comparing , to elicit a comment is not peculiar to the theatre nor original with it . In a pair of sixteenth - century tapestries , a man and woman are contrasted . The ...
... heart or in the head ? Now , the practice of juxtaposing — mutely comparing , to elicit a comment is not peculiar to the theatre nor original with it . In a pair of sixteenth - century tapestries , a man and woman are contrasted . The ...
Pagina 14
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Pagina 24
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Cuprins
1 | |
PROVIDENCE | 17 |
KIND | 30 |
FORTUNE | 46 |
ANARCHY AND ORDER | 61 |
REASON AND WILL | 85 |
SHOW AND SUBSTANCE | 103 |
REDEMPTION | 119 |
SHAKESPEARES POETICS | 138 |
WORKS CONSULTED | 168 |
175 | |
Alte ediții - Afișează-le pe toate
Shakespeare's Poetics in Relation to King Lear Russell A. Fraser Nu există previzualizare disponibilă - 1962 |
Termeni și expresii frecvente
action appears bear beginning blind body bring called century character comedy conduct convention Cordelia course Cymbeline daughter death describes discovers dramatist earth Edgar Edmund Elizabethan emblem Emblematum English error evil eyes fact fall father felt figure finds follows fool Fortune given gives gloss Gloucester Goneril grace Green grow hand hath heart Heaven Henry hero History human ignorance illustrated Italy John Kent kind King Lear Lear's learned least less lives London look Macbeth man's master means Measure metaphor mind mistaking moral murder naked nature never once Paris Plate play Providence Queen quoted reason relation Renaissance Richard Rollenhagio sense Shakespeare stage stand suffer suppose Tempest things Thomas thou tragedy tree true Truth turns understanding universe villain virtue wheel Whitney wicked wisdom