Shakespeare's Poetics: In relation to King LearRoutledge, 11 oct. 2013 - 232 pagini First published in 1962. |
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Pagina
... THE RENAISSANCE II . PROVIDENCE III . KIND IV . FORTUNE V. ANARCHY AND ORDER VI . REASON AND WILL VII . SHOW AND SUBSTANCE VIII . REDEMPTION IX . SHAKESPEARE'S POETICS WORKS CONSULTED INDEX page xi I 17 30 46 61 85 103 119 138 168 175 vii.
... THE RENAISSANCE II . PROVIDENCE III . KIND IV . FORTUNE V. ANARCHY AND ORDER VI . REASON AND WILL VII . SHOW AND SUBSTANCE VIII . REDEMPTION IX . SHAKESPEARE'S POETICS WORKS CONSULTED INDEX page xi I 17 30 46 61 85 103 119 138 168 175 vii.
Pagina
... FORTUNE ( Rollenhagio , Nucleus Emblematum , emblem 6. ) XVIII . VIRTUE TRIUMPHS OVER FORTUNE ( Rollenhagio , Nucleus Emblematum , emblem 10. ) XIX . THE WINDS OF CHANCE ( Bruck , Emblemata Moralia & Bellica , emblem 22. ) XX . BLIND ...
... FORTUNE ( Rollenhagio , Nucleus Emblematum , emblem 6. ) XVIII . VIRTUE TRIUMPHS OVER FORTUNE ( Rollenhagio , Nucleus Emblematum , emblem 10. ) XIX . THE WINDS OF CHANCE ( Bruck , Emblemata Moralia & Bellica , emblem 22. ) XX . BLIND ...
Pagina 7
... Fortune during the Middle Ages , Occasion or Opportunity was conceived of as a nude young man with winged shoulders and heels , and balancing a pair of scales on the edge of a shaving knife . His head displayed the proverbial forelock ...
... Fortune during the Middle Ages , Occasion or Opportunity was conceived of as a nude young man with winged shoulders and heels , and balancing a pair of scales on the edge of a shaving knife . His head displayed the proverbial forelock ...
Pagina 8
... Fortune , the character of Pride and Luxury , Patience and Perseverance . The dramatist is able , therefore , in a way to skimp his business , to evoke his protagonist by a series of notations , generally no more than just sufficient ...
... Fortune , the character of Pride and Luxury , Patience and Perseverance . The dramatist is able , therefore , in a way to skimp his business , to evoke his protagonist by a series of notations , generally no more than just sufficient ...
Pagina 13
... fortunes : Enter Marcus Andronicus , aloft , with the crown . ( 1.1 ) And sometimes the stage emblem ramifies , speaks to the entire business of the play . Like meets like when Sly , the drunken tinker , looks down from above and ...
... fortunes : Enter Marcus Andronicus , aloft , with the crown . ( 1.1 ) And sometimes the stage emblem ramifies , speaks to the entire business of the play . Like meets like when Sly , the drunken tinker , looks down from above and ...
Cuprins
1 | |
17 | |
KIND | 30 |
FORTUNE | 46 |
ANARCHY AND ORDER | 61 |
REASON AND WILL | 85 |
SHOW AND SUBSTANCE | 103 |
REDEMPTION | 119 |
SHAKESPEARES POETICS | 138 |
WORKS CONSULTED | 168 |
INDEX | 175 |
Alte ediții - Afișează-le pe toate
Shakespeare's Poetics in Relation to King Lear Russell A. Fraser Nu există previzualizare disponibilă - 1962 |
Termeni și expresii frecvente
action appears bear beginning blind body bring called century character comedy conduct convention Cordelia course Cymbeline daughter death describes discovers dramatist earth Edgar Edmund Elizabethan emblem Emblematum English error evil eyes fact fall father felt figure finds follows fool Fortune given gives gloss Gloucester Goneril grace Green grow hand hath heart Heaven Henry hero History human ignorance illustrated Italy John Kent kind King Lear Lear's learned least less lives London look Macbeth man's master means Measure metaphor mind mistaking moral murder naked nature never once Paris Plate play Providence Queen quoted reason relation Renaissance Richard Rollenhagio sense Shakespeare stage stand suffer suppose Tempest things Thomas thou tragedy tree true Truth turns understanding universe villain virtue wheel Whitney wicked wisdom