Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 13
... kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely domi- nant ; and between critics sharing a roughly similar man- ner of approach ...
... kind of thing men have got from Shakespeare , has varied enormously at different periods . Of course no single mode of appreciation was ever completely domi- nant ; and between critics sharing a roughly similar man- ner of approach ...
Pagina 18
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
... kind of attention that its poetry demands is qualitatively different from the kind of attention demanded by the poetry of Macbeth . And the level at which mean- ings take place in poetry is determined by the kind and degree of activity ...
Pagina 163
... kind with kind confound ... O , if you raise this house against this house , It will the woefullest division prove That ever fell upon this cursed earth ... ( IV . i . 139-47 ) and by Richard himself ( addressing Northumberland ) , The ...
... kind with kind confound ... O , if you raise this house against this house , It will the woefullest division prove That ever fell upon this cursed earth ... ( IV . i . 139-47 ) and by Richard himself ( addressing Northumberland ) , The ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lines living look Macbeth meaning merely MICHIGAN mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses UNIVERSITY values vision whole