Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 10
... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
Pagina 59
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
... imaginative impact of a play that is more lively , more complex , and more far - reaching in its implications than I have so far been able to suggest . The tone of the play is sombre ; but it could not possibly be called pessimistic or ...
Pagina 117
... imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has been ...
... imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has been ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lines living look Macbeth meaning merely MICHIGAN mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses UNIVERSITY values vision whole