Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 31
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
Pagina 34
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
Pagina 117
... hand , is , we are made to feel , the reality , and the values revealed so surely there are established in the face of the worst that can be known of man or Nature . To keep nothing in reserve , to slur over no possible cruelty or ...
... hand , is , we are made to feel , the reality , and the values revealed so surely there are established in the face of the worst that can be known of man or Nature . To keep nothing in reserve , to slur over no possible cruelty or ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lines living look Macbeth meaning merely MICHIGAN mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses UNIVERSITY values vision whole