Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 33
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
Pagina 78
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
Pagina 81
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lines living look Macbeth meaning merely MICHIGAN mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses UNIVERSITY values vision whole