Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 83
... direction that any further explora- tion is forced to take . The lines point directly to King Lear , offering us the very terms we have to use in giving ourselves an account of that play . Lear opens with an assertion of ' will ' . It ...
... direction that any further explora- tion is forced to take . The lines point directly to King Lear , offering us the very terms we have to use in giving ourselves an account of that play . Lear opens with an assertion of ' will ' . It ...
Pagina 117
... direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply some- thing ...
... direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply some- thing ...
Pagina 166
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lines living look Macbeth meaning merely MICHIGAN mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses UNIVERSITY values vision whole