Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 87
Pagina 143
... theory , even with its new accents , is valid only for a special type of poetry , though it is a type with a genuine and subtle power . The final statement , however , has elements which can be used to make the special theory ...
... theory , even with its new accents , is valid only for a special type of poetry , though it is a type with a genuine and subtle power . The final statement , however , has elements which can be used to make the special theory ...
Pagina 158
... theory , they were really operating with two independent variables , sugges- tion ( Dhvani ) and feeling ( Rasa ) . Theory now does not have the confi- dence to base its verdict against pictorial poetry solely on the ground that it ...
... theory , they were really operating with two independent variables , sugges- tion ( Dhvani ) and feeling ( Rasa ) . Theory now does not have the confi- dence to base its verdict against pictorial poetry solely on the ground that it ...
Pagina 159
... theory were painstakingly scholastic , massively logical , as will be readily admitted when we recall their defence ... theory from becoming a dogma and com- pletely closing off the vision of other horizons , that the essential ...
... theory were painstakingly scholastic , massively logical , as will be readily admitted when we recall their defence ... theory from becoming a dogma and com- pletely closing off the vision of other horizons , that the essential ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava Gupta action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhavabhuti Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna human I. A. Richards Ibid imagination Indian integration intuition Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetic figure poetry Prakasa profound prose pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth unconscious Upanishad Vakrokti Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote