Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 9
... stimulus situation of ordinary life , therefore , has to be transposed to art . Bharata explains that just as a beverage is com- pounded by various spices and herbs , so the sentiment is activated by the significant organisation of the ...
... stimulus situation of ordinary life , therefore , has to be transposed to art . Bharata explains that just as a beverage is com- pounded by various spices and herbs , so the sentiment is activated by the significant organisation of the ...
Pagina 10
... stimulus , easily cognised as a stimulus by the spectator , who settles down to react to the further shaping by which the stimulus leads to the gradual transformation of the sentiment into nascent emotion . The dramatist uses the ...
... stimulus , easily cognised as a stimulus by the spectator , who settles down to react to the further shaping by which the stimulus leads to the gradual transformation of the sentiment into nascent emotion . The dramatist uses the ...
Pagina 15
... stimulus from its environment involves at once , though in varying proportions on different occasions , an appropriation of the stimulus and a reaction to it and , secondly , the fact that the immediate experience interacts with ...
... stimulus from its environment involves at once , though in varying proportions on different occasions , an appropriation of the stimulus and a reaction to it and , secondly , the fact that the immediate experience interacts with ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote