Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 13
... situation . This modulation takes colour from the features of the changed situation but what primarily determines it is the persisting basic emotion . The modulations are the refractions of the basic emotion when the perspective and the ...
... situation . This modulation takes colour from the features of the changed situation but what primarily determines it is the persisting basic emotion . The modulations are the refractions of the basic emotion when the perspective and the ...
Pagina 15
... situation " mentioned by Richards can lead us now to the issue of fundamental importance : how the creative artist moulds his work as a sign - situation which can transfer the experience to another . Here Mannheim's analysis of sign and ...
... situation " mentioned by Richards can lead us now to the issue of fundamental importance : how the creative artist moulds his work as a sign - situation which can transfer the experience to another . Here Mannheim's analysis of sign and ...
Pagina 214
... situation . It is indeed a complex gestalt with prime and enhancing stimuli , the expressive beha- viour ( Anubhava ) of those involved , etc. But , in the aesthetic presentation , there is an important additional element . Bhoja ...
... situation . It is indeed a complex gestalt with prime and enhancing stimuli , the expressive beha- viour ( Anubhava ) of those involved , etc. But , in the aesthetic presentation , there is an important additional element . Bhoja ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote