Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 8
... sentiment , as a product of social experience , is an organization of emotions around the idea of an object ... sentiment in the developing mind is determined by the course of experience . That is to say , the sentiment is a growth in ...
... sentiment , as a product of social experience , is an organization of emotions around the idea of an object ... sentiment in the developing mind is determined by the course of experience . That is to say , the sentiment is a growth in ...
Pagina 285
... sentiment . It is often translated as pathos , but it is really the pathetic that generates pity , sympathy or compassion , the accent being on the latter . The dominant sentiment of Bhavabhuti's Uttara Rama Charita is pathos in this ...
... sentiment . It is often translated as pathos , but it is really the pathetic that generates pity , sympathy or compassion , the accent being on the latter . The dominant sentiment of Bhavabhuti's Uttara Rama Charita is pathos in this ...
Pagina 307
... sentiments ( Sthayi Bhavas ) and at the beginning of the list of the derived emotions . And he interprets this as indicating that Bharata meant it both as a basic sentiment ( Sthayin ' ) and as a derived emotion ( Vyabhichari ) . But ...
... sentiments ( Sthayi Bhavas ) and at the beginning of the list of the derived emotions . And he interprets this as indicating that Bharata meant it both as a basic sentiment ( Sthayin ' ) and as a derived emotion ( Vyabhichari ) . But ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote