Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 83
Pagina 124
... sense is never a suggestor ( Vyanjaka ) . It is very wide in its scope ( Maha Vishaya ) and its range includes what is regarded as suggestion , where the expressed sense functions as a ground of inference . Mahima claims that , since ...
... sense is never a suggestor ( Vyanjaka ) . It is very wide in its scope ( Maha Vishaya ) and its range includes what is regarded as suggestion , where the expressed sense functions as a ground of inference . Mahima claims that , since ...
Pagina 143
... sense ( Vyangya artha ) to which the name Dhvani is applied when it is predominant , is now definitely posed as the soul ( Atman ) of poetry . But there are ambiguities here . The Dhvanikara's verse , 87 in which this view is set forth ...
... sense ( Vyangya artha ) to which the name Dhvani is applied when it is predominant , is now definitely posed as the soul ( Atman ) of poetry . But there are ambiguities here . The Dhvanikara's verse , 87 in which this view is set forth ...
Pagina 144
... sense predominates and supersedes the expressed . This is called Dhvani - Kavya , poetry of resonance , because the suggested sense ( Vyangyartha ) is " echoed " perfectly in this class of poetry . Visvanatha confirms this as the ...
... sense predominates and supersedes the expressed . This is called Dhvani - Kavya , poetry of resonance , because the suggested sense ( Vyangyartha ) is " echoed " perfectly in this class of poetry . Visvanatha confirms this as the ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
15 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote