Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 122
... regarded as an object with its texture and shape , on the one side , and the feeling nuance evoked , on the other , is not a matter of mere convention . Denotation exhausts itself with the literal meaning . But poetic creativity and ...
... regarded as an object with its texture and shape , on the one side , and the feeling nuance evoked , on the other , is not a matter of mere convention . Denotation exhausts itself with the literal meaning . But poetic creativity and ...
Pagina 155
... regarded as merely " pictorial in word " or " pictorial in sense " and is called pictorial poetry ( Chitra Kavya ) . Visvanatha refused to regard it as any kind of poetry at all . We also saw a similar rejection by Mallarmé of the ...
... regarded as merely " pictorial in word " or " pictorial in sense " and is called pictorial poetry ( Chitra Kavya ) . Visvanatha refused to regard it as any kind of poetry at all . We also saw a similar rejection by Mallarmé of the ...
Pagina 356
... regarded as a distinct entity only in the rather pointless sense in which the space within an earthen jar can be regarded as distinct from the ambient space . And consistent with his rigorous monism , when Krishna says that the ...
... regarded as a distinct entity only in the rather pointless sense in which the space within an earthen jar can be regarded as distinct from the ambient space . And consistent with his rigorous monism , when Krishna says that the ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote