Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 40
... reality does not depend on physical reality , but on the fact that they are real creations of poetic power . Mammata illustrates this with reference to the painting of a horse and explains further that art objects have no place in the ...
... reality does not depend on physical reality , but on the fact that they are real creations of poetic power . Mammata illustrates this with reference to the painting of a horse and explains further that art objects have no place in the ...
Pagina 44
... reality . For aesthetic crea- tivity is a part of life and reality , and this new order is its creation , just as natural forms are the creation of the of the evolutionary energy of nature . 65 Bharata 63 also insists that the very idea ...
... reality . For aesthetic crea- tivity is a part of life and reality , and this new order is its creation , just as natural forms are the creation of the of the evolutionary energy of nature . 65 Bharata 63 also insists that the very idea ...
Pagina 132
... reality as the power to resonate of the sensibility that receives its intimation in relish , for the poetic word acquired this power in the first place from the creative act of a poetic sensibility . II . MUSICAL POWER AND LIMITS OF ...
... reality as the power to resonate of the sensibility that receives its intimation in relish , for the poetic word acquired this power in the first place from the creative act of a poetic sensibility . II . MUSICAL POWER AND LIMITS OF ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote