Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 81
Pagina 203
... principle of the adaptation of stylistic qualities to the feeling ( Rasanarupa Sandarbhatvam ) . To describe young hearts in love , the soft ( Komal ) music of liquid consonants and plenty of vowels will be ideal ; but it is totally ...
... principle of the adaptation of stylistic qualities to the feeling ( Rasanarupa Sandarbhatvam ) . To describe young hearts in love , the soft ( Komal ) music of liquid consonants and plenty of vowels will be ideal ; but it is totally ...
Pagina 204
... principle which should govern all phases of creativity which ultimately transform the dormant sentiment ( Bhava ) into a relishable state , into Rasa . This leads him to the definition of the concept of poetic failure or contradiction ...
... principle which should govern all phases of creativity which ultimately transform the dormant sentiment ( Bhava ) into a relishable state , into Rasa . This leads him to the definition of the concept of poetic failure or contradiction ...
Pagina 342
... principles ( Gunas ) is the brilliant solution offered for this problem . Ancient Indian thought did attempt the analysis ... principle , of nature . And they are not separate , disembodied forces acting on matter from outside ; they are ...
... principles ( Gunas ) is the brilliant solution offered for this problem . Ancient Indian thought did attempt the analysis ... principle , of nature . And they are not separate , disembodied forces acting on matter from outside ; they are ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
15 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote