Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 37
... poet . Ananda Vardhana13 describes his role in exalted language . The poet is a creator in the boundless world of poetry . The universe appears to assume that from which he is pleased to give to it . Whatever be the emotion ( either ...
... poet . Ananda Vardhana13 describes his role in exalted language . The poet is a creator in the boundless world of poetry . The universe appears to assume that from which he is pleased to give to it . Whatever be the emotion ( either ...
Pagina 38
... poet , whom he calls Sage and Seer . Hema Chandra uses this quotation while speaking of the etymology of the word Kavi , poet . The Kavi has Darsana or vision and Varnana , the power of description or objective presentation . Without ...
... poet , whom he calls Sage and Seer . Hema Chandra uses this quotation while speaking of the etymology of the word Kavi , poet . The Kavi has Darsana or vision and Varnana , the power of description or objective presentation . Without ...
Pagina 150
... poet should be absent , his personal and passionate control of verse should be replaced ? Mallarmé is against the obtrusive presence of the poet which is inevitable in rhetorical flamboyance , the passion that remains as an excess since ...
... poet should be absent , his personal and passionate control of verse should be replaced ? Mallarmé is against the obtrusive presence of the poet which is inevitable in rhetorical flamboyance , the passion that remains as an excess since ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote