Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 71
... poem says is always more than what is said in the poem " . If the argument were all that the poem says , it would be ( as Coleridge in fact said of Pope's Essay on Man ) not poetry , " but thoughts translated into the language of poetry ...
... poem says is always more than what is said in the poem " . If the argument were all that the poem says , it would be ( as Coleridge in fact said of Pope's Essay on Man ) not poetry , " but thoughts translated into the language of poetry ...
Pagina 153
... poetic value , restored feeling or Rasa to that status later . An enriched feeling is contained in the poem . Why should it be relegated to an inferior status , just because the centre of gravity of the poem does not lie in the plane of ...
... poetic value , restored feeling or Rasa to that status later . An enriched feeling is contained in the poem . Why should it be relegated to an inferior status , just because the centre of gravity of the poem does not lie in the plane of ...
Pagina 197
... poem develops the organismic quality which Bhoja calls pervasive emotion ( Rasa Bhava Nirantaratva ) . Strictly , what Bhoja seems to mean by this concept is that the whole poem should have one Rasa as its main mood . But , since , in ...
... poem develops the organismic quality which Bhoja calls pervasive emotion ( Rasa Bhava Nirantaratva ) . Strictly , what Bhoja seems to mean by this concept is that the whole poem should have one Rasa as its main mood . But , since , in ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote