Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 65
Pagina 187
... play , as the immediate context of the dramatic resolution , Bhavabhuti introduces with exceptional brilliance a play within the play . This has as its theme the vicissitudes of Sita after she was abandoned in the forest . The director ...
... play , as the immediate context of the dramatic resolution , Bhavabhuti introduces with exceptional brilliance a play within the play . This has as its theme the vicissitudes of Sita after she was abandoned in the forest . The director ...
Pagina 188
... play and , earlier , its impact as reality on the hero of the main play , are powerful forces of suggestion which enable the audience of the main play also to achieve perfect identification with the dramatised reality , the truth of ...
... play and , earlier , its impact as reality on the hero of the main play , are powerful forces of suggestion which enable the audience of the main play also to achieve perfect identification with the dramatised reality , the truth of ...
Pagina 364
... Play belongs to the second category . Schiller noted the close affinity between play activity and aesthetic creativity , which is really a higher activity of the same category . In his interpretation of the expression " divine ...
... Play belongs to the second category . Schiller noted the close affinity between play activity and aesthetic creativity , which is really a higher activity of the same category . In his interpretation of the expression " divine ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
15 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote