Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 26
... perception , which category alone can be embraced by an approach like that of Lollata . The Sthayin is not an object of perception because it cannot be staticised as an object existing at only one specific conjunction of space and time ...
... perception , which category alone can be embraced by an approach like that of Lollata . The Sthayin is not an object of perception because it cannot be staticised as an object existing at only one specific conjunction of space and time ...
Pagina 252
... perceptions are ordinarily contrasted - do not take place in sleep or opium dreams but in the waking consciousness . However , the valid essence of the definition is that the perception is true because what it perceives is real . But ...
... perceptions are ordinarily contrasted - do not take place in sleep or opium dreams but in the waking consciousness . However , the valid essence of the definition is that the perception is true because what it perceives is real . But ...
Pagina 301
... perception unless the deep centre of personality consents to attend to them . Both experience of external reality as well as internal experience , awareness of self as con- scious perception , can arise only when the deep centre ...
... perception unless the deep centre of personality consents to attend to them . Both experience of external reality as well as internal experience , awareness of self as con- scious perception , can arise only when the deep centre ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote