Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 217
... object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free play of the imagination . Subject ...
... object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free play of the imagination . Subject ...
Pagina 300
... object or event . It is possible to contemplate an object and be aware that one is contemplating an object . And this latter awareness need not be a second act following the first aware- ness , of the object , but an integral part of an ...
... object or event . It is possible to contemplate an object and be aware that one is contemplating an object . And this latter awareness need not be a second act following the first aware- ness , of the object , but an integral part of an ...
Pagina 400
... object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world . In a moment above time , though in time , subject and ...
... object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world . In a moment above time , though in time , subject and ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote